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Hiroyasu Shimo
Exhibitions
&
Projects
これまでの展覧会や参加したアートイベントの記録です。
This is a record of past exhibitions and art events in which I have participated.
弁天舎ブックフェア
Bentensya Book Fair
弁天舎ブックフェア
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
Bentensya Book Fair
弁天舎ブックフェア
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
Bentensya Book Fair
弁天舎ブックフェア
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
Bentensya Book Fair
弁天舎ブックフェア
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
Bentensya Book Fair
弁天舎ブックフェア
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
2023/5/3-16
みんなの森ぎふメディアコスモス
みんなの森ぎふメディアコスモス１Fの直径20mほどの半円形のスペース「ドキドキテラス」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。最終日には、長蛇の列ができるほどの好評を得た。
映像インスタレーション作品「弁天様」を中心に、120点の架空の本のシリーズ「未完文庫」岐阜市民にキャストとして参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
Bentensya Book Fair
2023/5/3-3-16
Minnano Mori Gifu Mediacosmos
A solo exhibition was held at the "Dokidoki Terrace," a semi-circular space about 20 meters in diameter on the first floor of Minna no Mori Gifu Media Cosmos, under the guise of a fair for the fictional publishing house "Bentensha. The exhibition was so well received that a long line of visitors formed on the final day.
Centered around the video installation work "Bentensha," the exhibition featured a series of 120 fictional books, "Unfinished Bunko," "People Caught in Books," in which Gifu citizens participated as cast members, and a billboard with SSF featuring the dancer KELO.
Bentensha Book Fair +
弁天舎ブックフェア＋
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
Bentensha Book Fair +
弁天舎ブックフェア＋
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
Bentensha Book Fair +
弁天舎ブックフェア＋
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
Bentensha Book Fair +
弁天舎ブックフェア＋
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
Bentensha Book Fair +
弁天舎ブックフェア＋
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
2023/8/17-27
ギャラリーいちょうの木(東京都八王子市)
八王子の「ギャラリーいちょうの木」にて、架空の出版社「弁天舎」のフェアとの体裁で個展を開催した。記帳いただいた方だけで6000人近い来場者があった。
映像インスタレーション作品「弁天様」を中心に、144点の架空の本のシリーズ「未完文庫」岐阜ハウジングセンターの協力をいただいて撮影し、新たなキャストに参加していただ「本に挟まる人」、ダンサーKELOさんに登場いただいたSSFを用いた広告塔を展示。
壁面に展示した「未完文庫」から気に入ったものを選んでいただき、その場でプリント販売するサービスを実施した。
Bentensha Book Fair +
8/17-27, 2023
Gallery ICHONOKI (Hachioji, Tokyo)
A solo exhibition was held at Gallery ICHONOKI in Hachioji, Tokyo, in the form of a fair for the fictional publishing house Bentensha. Nearly 6,000 people visited the exhibition.
Centered around the video installation work "Bentensha," the exhibition included "Unfinished Bunko," a series of 144 fictional books, "People Caught in Books," filmed with the cooperation of Gifu Housing Center and with the participation of a new cast, and a billboard with SSF featuring the dancer KELO.
Visitors were invited to choose their favorites from the "Unfinished Bunko" displayed on the wall, and a service was offered to print and sell them on the spot.
between truth and falsehood
虚と実の間
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
between truth and falsehood
虚と実の間
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
between truth and falsehood
虚と実の間
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
between truth and falsehood
虚と実の間
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
between truth and falsehood
虚と実の間
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
between truth and falsehood
虚と実の間
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
2023/10/7/8/9
岐阜ハウジングギャラリー県庁前展示場
ハウジングセンター全体に対して、弁天舎の架空の創始者が描いたとされる「天女絵」を加えた「弁天舎ブックフェア」を展開した個展。岐阜新聞のバックアップを得たため、展覧会の広告を兼ねた架空記事を掲載した新聞を発刊したり、未完文庫の一部を実際に出版するなどのメディアミックス的な展開を試みた。
between truth and falsehood
2023/10/7/8/9
Gifu Housing Gallery Kencho-mae Exhibition Hall
A solo exhibition that developed a "Bentensha Book Fair" for the entire housing center, with the addition of "Tennyo-e" paintings said to have been drawn by the fictitious founder of Bentensha. Since the exhibition was backed up by the Gifu Shimbun newspaper, an attempt was made to develop the exhibition in a media-mix manner by publishing a newspaper with a fictitious article that also served as an advertisement for the exhibition, and by actually publishing part of the unfinished book collection.
呪いの硝子窓
呪いの硝子窓
お化け屋敷「怨霊座敷」特別演出『呪いの硝子窓』において「志茂式ファンタスマゴリア」＝S.S.F.を用いた演出で参加させていただきました。撮影から現地での調整までを一貫して担当しています。
I participated in the special production "Curse of the Glass Window" at the haunted house "The Grudge Shack" by using the "Shimo style phantasmagoria" = S.S.F. I was in charge of the entire process from filming to on-site coordination. I was in charge of everything from filming to on-site coordination.
I participated in the special production "Curse of the Glass Window" at the haunted house "The Grudge Shack" by using the "Shimo style phantasmagoria" = S.S.F. I was in charge of the entire process from filming to on-site coordination. I was in charge of everything from filming to on-site coordination.
呪いの硝子窓
お化け屋敷「怨霊座敷」特別演出『呪いの硝子窓』において「志茂式ファンタスマゴリア」＝S.S.F.を用いた演出で参加させていただきました。撮影から現地での調整までを一貫して担当しています。
I participated in the special production "Curse of the Glass Window" at the haunted house "The Grudge Shack" by using the "Shimo style phantasmagoria" = S.S.F. I was in charge of the entire process from filming to on-site coordination. I was in charge of everything from filming to on-site coordination.
I participated in the special production "Curse of the Glass Window" at the haunted house "The Grudge Shack" by using the "Shimo style phantasmagoria" = S.S.F. I was in charge of the entire process from filming to on-site coordination. I was in charge of everything from filming to on-site coordination.
呪いの硝子窓
お化け屋敷「怨霊座敷」特別演出『呪いの硝子窓』において「志茂式ファンタスマゴリア」＝S.S.F.を用いた演出で参加させていただきました。撮影から現地での調整までを一貫して担当しています。
I participated in the special production "Curse of the Glass Window" at the haunted house "The Grudge Shack" by using the "Shimo style phantasmagoria" = S.S.F. I was in charge of the entire process from filming to on-site coordination. I was in charge of everything from filming to on-site coordination.
I participated in the special production "Curse of the Glass Window" at the haunted house "The Grudge Shack" by using the "Shimo style phantasmagoria" = S.S.F. I was in charge of the entire process from filming to on-site coordination. I was in charge of everything from filming to on-site coordination.
8/13計画
1966年TV放送された特撮番組「ウルトラＱ」のエピソード「1/8計画」は、都市における人口の急激な増加をテーマに据え「人間を1/8に縮小すれば、人口問題は解決するという行政施策に翻弄される主人公」を描いている。CGが進歩した現代から見れば、愛らしいと思える映像技術だが、一方で声高に叫ばれてきた社会問題は、新たな火種が次々と沸き起こり落ち着かない。1970年に開催された万国博覧会で謳われ、10歳の頃真に受けた「人類の進歩と調和」はいびつな形で実現することになった。デジタル機器の進歩とネットワークにより個人の可能性を拡張したにも関わらず、どこか窮屈な閉塞感を覚えている。そんな想いを抱きながら生きる人々の姿を直接的に描いた。
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
8/13計画
1966年TV放送された特撮番組「ウルトラＱ」のエピソード「1/8計画」は、都市における人口の急激な増加をテーマに据え「人間を1/8に縮小すれば、人口問題は解決するという行政施策に翻弄される主人公」を描いている。CGが進歩した現代から見れば、愛らしいと思える映像技術だが、一方で声高に叫ばれてきた社会問題は、新たな火種が次々と沸き起こり落ち着かない。1970年に開催された万国博覧会で謳われ、10歳の頃真に受けた「人類の進歩と調和」はいびつな形で実現することになった。デジタル機器の進歩とネットワークにより個人の可能性を拡張したにも関わらず、どこか窮屈な閉塞感を覚えている。そんな想いを抱きながら生きる人々の姿を直接的に描いた。
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
8/13計画
1966年TV放送された特撮番組「ウルトラＱ」のエピソード「1/8計画」は、都市における人口の急激な増加をテーマに据え「人間を1/8に縮小すれば、人口問題は解決するという行政施策に翻弄される主人公」を描いている。CGが進歩した現代から見れば、愛らしいと思える映像技術だが、一方で声高に叫ばれてきた社会問題は、新たな火種が次々と沸き起こり落ち着かない。1970年に開催された万国博覧会で謳われ、10歳の頃真に受けた「人類の進歩と調和」はいびつな形で実現することになった。デジタル機器の進歩とネットワークにより個人の可能性を拡張したにも関わらず、どこか窮屈な閉塞感を覚えている。そんな想いを抱きながら生きる人々の姿を直接的に描いた。
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
8/13計画
1966年TV放送された特撮番組「ウルトラＱ」のエピソード「1/8計画」は、都市における人口の急激な増加をテーマに据え「人間を1/8に縮小すれば、人口問題は解決するという行政施策に翻弄される主人公」を描いている。CGが進歩した現代から見れば、愛らしいと思える映像技術だが、一方で声高に叫ばれてきた社会問題は、新たな火種が次々と沸き起こり落ち着かない。1970年に開催された万国博覧会で謳われ、10歳の頃真に受けた「人類の進歩と調和」はいびつな形で実現することになった。デジタル機器の進歩とネットワークにより個人の可能性を拡張したにも関わらず、どこか窮屈な閉塞感を覚えている。そんな想いを抱きながら生きる人々の姿を直接的に描いた。
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
The episode "1/8 Plan" of the special effects program "Ultra Q" broadcast on TV in 1966, which focuses on the theme of rapid population growth in cities, depicts a protagonist who is at the mercy of a government policy that says population problems will be solved if humans are reduced to 1/8 of their original size. The "progress and harmony of mankind," which I truly believed when I was 10 years old at the 1970 World's Fair, has been realized in an awkward manner. Despite the expansion of individual possibilities through the advancement of digital devices and networks, we still feel a somewhat constricted sense of entrapment. This film directly depicts people living with such feelings.
13/8計画
雨の碑
弁天舎ブックフェア
雨の碑 Rain Monument
雨の碑
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
雨の碑 Rain Monument
雨の碑
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
雨の碑 Rain Monument
雨の碑
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
雨の碑 Rain Monument
雨の碑
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
2020/11/1-29
JR門司港駅エントランス
門司港アートワーフ2020
コロナ禍を大きな災いをもたらす大雨に例え、大雨に苛まれる世界に対し窓越しに祈りを捧げる人々を描いた作品。コロナ禍が治れば痛みを共有した人類が良い方向に向かうことを期待した。
Rain Monument
2020/11/1-29
JR Mojiko Station Entrance
Mojiko Art Wharf 2020
Comparing the corona disaster to a heavy rainfall that brings great misfortune, this work depicts people praying through a window for a world tormented by heavy rain. The artist hoped that once the coronal disaster was cured, the human race, which shared the pain, would move in the right direction.
囚われる人
囚われる人
六本木アートナイト2019
2019/5/25-26
囚われる人
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
囚われる人
六本木アートナイト2019
2019/5/25-26
囚われる人
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
囚われる人
六本木アートナイト2019
2019/5/25-26
囚われる人
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
囚われる人
六本木アートナイト2019
2019/5/25-26
囚われる人
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
貨幣経済の中に生きる私たちは、その中で様々に生きている。その有様を身近な経済活動の場である自動販売機に押し込めて表現した作品。
People caught in the middle
We live in a monetary economy, and we live in various ways within it. This work expresses this state of affairs by pushing the vending machine, a familiar site of economic activity.
囚われる人
六本木アートナイト2019
2019/5/25-26
装置の構造図
Structural drawing of the device
Structural drawing of the device
囚われる人
六本木アートナイト2019
2019/5/25-26
作品の近接写真
Proximity photo of the work
Proximity photo of the work
囚われる人
六本木アートナイト2019
2019/5/25-26
キャスト
Cast
Cast
囚われる人
六本木アートナイト2019
2019/5/25-26
観客の様子
Audience
Audience
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
挟まる人
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
六本木アートナイト2019
2018/5/26-27
都会は圧倒的な物質により繁栄の象徴であるかに見えますが、個人にとってはほとんど無関係な意味のない存在の集合に過ぎません。そんな状況を俯瞰する視点を提供できると考えました。六本木ミッドタウン向かい側の建物の隙間に4.5メートルのスクリーンを設置し、バックプロジェクションにより映像を投影しています。
People who get caught in the middle
Roppongi Art Night 2019
2018/5/26-27
Although the city appears to be a symbol of prosperity due to its overwhelming materiality, it is merely a set of meaningless entities that are largely irrelevant to the individual. We thought we could provide a bird's-eye view of such a situation. A 4.5 meter screen was installed in the gap between the buildings across from Roppongi Midtown, and images were projected using back projection.
挟まる人
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